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The actor was hospitalized, and his ensuing legal problems were the subject of much media scrutiny. It's possible that the testing has created a new species, the first of its kind...

However, he continued to work, winning critical acclaim for his portrayal of a Civil War colonel in the 1989 Glory. It's not that i support facsism or any ism for that matter. A person should not believe in an ism, he should believe in himself.

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This was followed by a supporting role as Harvey Fierstein's gay adopted son, David, in the Off-Broadway production of Fierstein's Torch Song Trilogy; then, a good review by The New York Times theater critic Mel Gussow brought him to the attention of Broadway.

Broderick commented on the effects of that review in a 2004 60 Minutes II interview: "Before I knew it, I was like this guy in a hot play. And it's only because Mel Gussow happened to come by right before it closed and happened to like it. All these things have to line up that are out of your control." He followed that with the role of Eugene Morris Jerome in the Neil Simon Eugene Trilogy including the plays, Brighton Beach Memoirs and Biloxi Blues.

Films like Max Dugan Returns and Ladyhawke followed, as did an acclaimed television adaptation of Athol Fugard's Master Harold and the Boys, but it was the 1986 Ferris Bueller's Day Off that made Broderick a star.

As a then-23-year-old playing a 17-year-old, Broderick became a champion of smart-asses everywhere, and in so doing earned a certain kind of screen immortality.

In the 1990s, Broderick was the voice of the adult Simba, in Disney's successful animated film The Lion King, and also voiced Tack the Cobbler in Miramax's controversial version of The Thief and the Cobbler, which had originally been intended as a silent role. The first was that of a bachelor in The Cable Guy with Jim Carrey.